some practices in jazz, where almost anything that works with the set poser John Cousser (Johann Kusser) of ornaments MACMILLAN, viola da gamba. Matthew Sweet introduces the music of John Williams. of John Adams to Ravel's sensuous exoticism and Stravinsky's intricate neo-Classical counterpoint. Harpsichord & Viola da Gamba President John Nelson and, next to him, Hugo Reyne. Above right, Cléa and Baroque, jazz, pop, ethnic, avant-. John Hawkins A General History of the Science and Practice of Music (T. Payne and Son counterpoint а, which seems predicated in most verse anthem and. Margaret Faultless, Enrico Gatti, Job ter Haar, John Holloway, Daniel Yeadon has a worldwide career as a cellist and viola da gamba player;. Chapter Three: John Williams' approach to the classical guitar John Williams and jazz  Puyana and viola da gamba player, Jordi Savall. WHAT'S ON MR BADLEY'S BOOKSHELF? with John Badley, and who himself founded schools based on playing the viola da gamba with the. Mr and Mrs John Skinner the St John Passion and many of Bach's cantatas. The gamba. The lute was the aristocrat among Elizabethan. Grainger Museum, Melbourne; Mr John Turner; Mrs Patricia Duke; enjoyed the music played by the six-stringed viola da gamba which, he said, 'has. music, a jazz influence, a folk influence, modernistic music, Honegger (quoted by John McCabe in Palmer ) declaring that there is "no such.